Riding a wave of incredibly positive buzz, singer-songwriter Amélie Beyries ­– BEYRIES to the public – will release her first album in early 2017.

So why talk about it now? Because the self-taught musician will begin a tour in the coming days during which she’ll be able to fine-tune the fine tunes that will appear on that first album. Thus, BEYRIES is heading out West for a string of 10 to 15 small- and mid-sized concerts.

But other than that, why tour now? “Playing and sharing music, meeting new people and getting in touch with oneself through a healthy dose of nature and travelling,” says the young artist. “I’ve wanted to cross Canada for a long time. When we signed with Bonsound, earlier this year, we set up a schedule of what was coming until the album launch, and I realized I really needed stage experience. So crossing Canada seemed like a good way to get it. I also realized I had a lot of accumulated fatigue, and that now was the ideal time to embark on a long trip and take care of myself. It became an ideal project.”

In light of the vast amount of attention she got from the Québec media following the release of her first video, “Soldier,” in early June of 2016, it’s not surprising to see well-established names from the industry reaching out to help her burgeoning career as a songwriter. Such was the case of multi-instrumentalist, arranger, songwriter and jack-of-all-trades Alex McMahon – who offered to produce her album.

“I can honestly say that it’s because of him that there’s an album project underway,” says Beyries. “I wasn’t in top shape when we recorded my EP last summer. I was exhausted and lacked self-confidence, but he supported me and spurred me on. I’m so grateful. He’s got an uncanny talent for making songs shine. We really enjoy working together. I was also privileged to be able to work with my childhood friend Guillaume Chartrain (bass, mix) because he had just started working on other projects with Alex. I was really happy to see him in the studio; it meant a lot to me. Guillaume and I grew up together, he was my first friend. Alex offered to also work with Joseph Marchand (guitars). One could hardly have a better team,” says the singer, adding that she also got the chance to collaborate with Louis-Jean Cormier on the only French song on the album.

“When we finished the EP, we sent it to a few industry people and my songs made to Louis-Jean Cormier’s ears,” she says. “He liked the music and we offered him a new song to record, one I’d written with Maxime Le Flaguais, who wrote the lyrics. Louis-Jean agreed to produce and sing with me. I’m really touched that he accepted doing so; I really admire his talent. That song was my first team collaboration, and the only one in French. It moves me every time I hear it.”

For BEYRIES, this is one of many concrete examples that music can sometimes surprise the unsuspecting. She concludes, visibly happy to have been wrong about the following: “Making music my trade was never an option for me. It has always been something personal that I didn’t share much with the people around me. I chose a more conventional career. That’s what seemed the best decision for me in my early twenties.”